Woven Paintings


The Devonshire Hunting Tapestries on display
 
Two noblemen on horseback accompanied by their servant and hunting dogs move towards the female bear. She has been flushed out of her cave with her cubs. As the cubs escape, one of the noblemen puts a spear into her chest, while she grapples with the hunting dogs the other nobleman gets ready to deal a deathly blow with his sword. It is hunting season in the fifteenth century and the Dukes of Devonshire are in their element.
Hunting in the middle ages was more than a mere pastime. The elaborate rituals were an integral part of court etiquette, and being skilled in hunting was the peacetime equivalent of being masterful on the battlefield. This passionate love of hunting is reflected in the scenes woven into tapestries known as the ‘Devonshire Hunting Tapestries’. These tapestries from the estates of the Dukes of Devonshire, woven in Arras in modern France are over a hundred and thirty three feet long. Tapestries were very expensive and prized by the nobility. They hung in their halls and provided a means for insulating and decorating the coldest and gloomiest castle. These enormous works of art would have hung from floor to ceiling and then placed edge to edge like wallpaper in a modern room. They were easily transportable, and during wartime they decorated the tents with recreational scenes, providing some respite from the horror around them.
Tapestries were woven by hand on a loom. The design was invariably copied from a full scale colored pattern known as the ‘cartoon’ a practice that continues till today. Before starting work the weaver traces the pattern from the cartoon onto the bare warps (threads). Most tapestries were wool or cotton but they may have included silk, gold or silver threads. Weaving consists of warp threads (threads which run parallel to the length) and weft threads (threads which run parallel to the width).Tapestries have weft faced weaving, which means all the warp threads are hidden in the completed work.
Although the Devonshire Tapestries depict hunting scenes, all is not blood and gore. There are forest glades, bounded by trees on the high horizon with glimpses of toy like castles, hilly pastures and ships on a distant sea. The foreground is filled with tiny trees, bushes and flowers, rocky caves for bears and turbulent streams flushed with water fowl. In this delightful setting the huntsmen and their prey, crowd across the tapestry in two great tiers subtly linked by intermediate figures, which lead the eye from group to group. The scenes are of perpetual spring even though boar and bear were hunted in winter. These tapestries depict scenes of ‘Boar and Bear Hunt’, ‘Swan and Otter Hunt’, ‘Falconry’ and ‘Deer Hunt’.

Boar and Bear Hunt
 
 
Boar and Bear Hunt: This tapestry features a number of elegant couples. Towards the center a lady wears a sumptuous blue gown decorated with back to front letters that spell ‘much desire’.

 The man’s sleeve is decorated with silver shapes that resemble teardrops and probably also relate to the pursuit of love. The rich red gown of the lady to the right is lined with miniver, a very expensive fur. On the top right corner of this tapestry two castles are visible, they are meant to be seen by all levels of society, potent symbols of power, status and wealth.
 
Swan and Otter Hunt
 
 
 

Swan and Otter Hunt: In this tapestry we can see the fashions of the early fifteenth century, the women in high waisted gowns with collars wider than their shoulders, wearing heart shaped headdresses.

 
 

 
Falconry


 



Falconry: This is the only tapestry in the set to confine itself to a single hunt. We see the couple on horseback dressed beautifully, the man has his arm around the woman. We can see another elegant lady on a white horse. The attention to detail down to the patterns on the gowns is a visual treat.

 
 
 

Deer Hunt: In this tapestry we see a group of men in bulky garments with large drooping sleeves and low slung belts. Deer hunting was known as the sport of kings and was confined to the courtiers and
 other favored individuals.
As night falls the hunting party returns to their castle with their kill which will be served later for dinner, followed by a night of drinking, merry making and talking about the events of the day.  It has been a long day, the tired horses return to their stables and the ravenous dogs are fed. While  the main activity may have been hunting it has also been a day full of endless gossip, frivolous flirtations and a show of fine clothes and expensive jewels by the nobility of Devonshire.

The Devonshire Hunting Tapestries can be viewed at the Victoria and Albert Museum in London.


References:
 Victoria and Albert Museum 

 

 

 

Comments

Post a Comment

Popular posts from this blog

A Picture in Over a Million Pieces

Image
It is a little after eight p.m, on a cool summer evening, when the first guests start arriving. The venue is the aristocratic, ‘House of the Faun’ Pompeii, named after a statue of a dancing faun in the courtyard. It is 300 BC and the ancient city is at its glorious peak. The parties at this residence are famous for their extravagance and as always,the guest list is extremely high brow.   As the guests walk from the outer courtyard towards the inner courtyard they slow down and stare in awe at a magnificent floor mosaic surrounded by columns. The mosaic depicts the battle between Alexander the great and Darius the king of Persia.   This ambitious work of art is 8ft. 11 inches in height and 16 ft. 9 inches in length. It is made with a million and a half pieces of tiny coloured tiles of stone and glass called 'tesserae', arranged in gradual curves known as ‘worm work ‘because they seem to replicate the slow motion of a crawling worm. The contrast between the stone and gla...
Read more

Night - Shining White

Image
The setting sun is like a fireball in the sky. There is a gentle breeze and the soft undulating hills of ancient China, look like a green carpet has been spread over them. Suddenly, as if out of nowhere, a stunning, pure white steed appears like an apparition on the horizon. As the majestic horse canters freely every muscle in his body ripples and his beautiful mane blows in the wind. This spirited steed is 'Night – Shining White'. He is the favourite imperial stallion of Emperor Xuanzong, of the Tang dynasty. There is something more than the sheer physical beauty of this animal; it is his spirit, which epitomizes the Chinese myth about imported ‘celestial steeds' that ‘sweat blood’ are really dragons in disguise. It is the eighth century, and Tang China is one of the greatest empires in the medieval world. Emperor Xuanzong, is referred to as the ‘brilliant monarch ‘and his reign is rightfully ranked as the classical period of Chinese art and literature.     Han...
Read more

Supper at Emmaus

Image
In the middle of the afternoon, a man runs frantically on the shore under the fierce summer sun. He is desperate to get to Rome and is trying to catch a glimpse of the boat that has left with all his belongings. He is a murderer, a fugitive, has an infected sword wound, and a raging fever, he is also the most powerful and influential Italian painter of that time. Michelangelo Merisi da Caravaggio died on the 18 th of July 1610 at the young age of 38, alone and penniless on a hospital bed in Ponto Ercole.   Caravaggio was born in Milan in 1571. He moved to Rome in his early twenties, arrogant and rebellious, Caravaggio was a violent man in a violent world. Rome in the late sixteenth and early seventeenth century was a difficult place to say the least. Thousands of artists flocked to the city in search of work. The Vatican was a magnet for artists, and each one was competing for powerful patrons in the church .There were no rules and hostilities ran deep. It’s against...
Read more